Paulette, Jean-Christophe's mother, talks too much; after ten years of struggle Jean-Christophe notices that Paulette talks less, but one night he sees his mother's dentures in a tooth glass. Kind friends explain to him that Paulette has passed from the oral stage to the sadistic oral stage. The mother shows her teeth, I love you, I crunch you, it's sure death...

Anam Wagner, a bisexual Belgium-based writer, comes back to his hometown where he has a hard time coping with his family's checkered past.

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An assassin signs his crimes by cutting off the ears of his victims which he places between their teeth. In order to proceed with his arrest, an expert in criminology is contacted.

法比安多年来一直是一名高级经理。一夜之间，这位40岁的男子失业了。他的妻子丹妮拉催促他收回他提供给母亲玛丽 - 路易丝的一套公寓。但这位女士根本不准备离开这套公寓，尤其是现在，因为她有了一个新男友安德烈。

Max is single, ophthalmologist, and a real mama's boy. Until she suddenly dies. Max should be devastated, yet he seems to be coping well. Too well. He actually still sees her, talks to her. She is not gone, still here, still close to her beloved baby boy. Max knows she is dead, yet he holds on to this impossible reality. Until he starts sharing his office with Ohiana, a shrink who he slowly falls in love with. Mom is not going to like it.

A young man, Lagardère, discovers that a plot is afoot to assassinate the Duke of Nevers. He warns him and flees with his daughter, Aurore. Fifteen years pass. Lagardère has raised Aurore as his own, but her mother seeks her out and has her abducted by her men. With the help of two friends, Lagardère rescues the girl and confronts her kidnappers.

This French documentary is comprised of almost 300 clips from the past 100 years of cinema Francaise. The images within the documentary are free flowing and not in chronological order; they are also not hindered with unnecessary narration or lengthy introductions. The film represents the collaborative efforts of a collective of the country's finest filmmakers.

A beautiful country girl and a seductive nightclub singer vie for the same good-looking man.